Indiana Jones: The Complete Adventures [Blu-ray] (Bilingual)
Vic Tablian (Actor), Harrison Ford (Actor), Michael D. Moore (Director), Steven Spielb (Director)  Rated: PG-13 (Parental Guidance Suggested)  Format: Blu-ray
4.8 out of 5 stars    11,851 ratings
 
Product details
Aspect Ratio ‏ : ‎ 2.40:1
Is Discontinued By Manufacturer ‏ : ‎ No
Language ‏ : ‎ English
Product Dimensions ‏ : ‎ 18.42 x 14.61 x 1.91 cm; 272.16 Grams
Item model number ‏ : ‎ 994098445108
Director ‏ : ‎ Michael D. Moore, Steven Spielb, Steven Spielberg
Media Format ‏ : ‎ AC-3, Box set, Dolby, Dubbed, Widescreen, NTSC, Import, DTS Surround Sound, Subtitled
Release date ‏ : ‎ Sept. 18 2012
Actors ‏ : ‎ Vic Tablian, Harrison Ford, Karen Allen, Paul Freeman, Ronald Lacey
Dubbed: ‏ : ‎ Spanish, French, Portuguese
Subtitles: ‏ : ‎ Spanish, English, French, Portuguese
Language ‏ : ‎ French (Dolby Digital 5.1), Spanish (Dolby Digital 5.1), English (DTS-HD Master Audio 5.1)
Studio ‏ : ‎ Paramount
Number of discs ‏ : ‎ 5
 
Product description
 
Indiana Jones: The Complete Adventures 
Indiana Jones and the Raiders of the Lost Ark
Steven Spielberg and George Lucas's 1981 resurrection of the Saturday-matinee adventure genre was deservedly popular, and kicked off a successful trilogy. Set in 1936, this first feature introduces Harrison Ford as Indiana Jones, an archaeologist and adventurer whose quests for rare antiquities frequently find him running from one menace or another. Raiders finds Dr. Jones in the middle of a Nazi plot to use the mysterious powers of the Ark of the Covenant to win the war. Karen Allen plays the love interest with an old-fashioned "man's woman" appeal (she can drink anybody under the table and is free with her fists). The constant, cliffhanger appeal of the movie is great fun--one is always wondering how Indy will get out of one scrape after another--and Ford's career got a big boost with his self-effacing but masculine portrayal of the hero. --Tom Keogh

Indiana Jones and the Temple of Doom
It’s hard to imagine that a film with worldwide box office receipts topping $300 million worldwide could be labeled a disappointment, but some moviegoers considered Indiana Jones and the Temple of Doom, the second installment in Steven Spielberg and George Lucas’ 1980s adventure trilogy, to be just that. That doesn’t mean it’s a bad effort; any collaboration between these two cinema giants (Spielberg directed, while Lucas provided the story and was executive producer) is bound to have more than its share of terrific moments, and Temple of Doom is no exception. But in exchanging the very real threat of Nazi Germany for the cartoonish Thuggee cult, it loses some of the heft of its predecessor (Raiders of the Lost Ark); on the other hand, it’s also the darkest and most disturbing of the three films, what with multiple scenes of children enslaved, a heart pulled out of a man’s chest, and the immolation of a sacrificial victim, which makes it less fun than either Raiders or The Last Crusade, notwithstanding a couple of riotous chase scenes and impressively grand sets. Many fans were also less than thrilled with the new love interest, a spoiled, querulous nightclub singer portrayed by Kate Capshaw, but a cute kid sidekick ("Short Round," played by Ke Huy Quan) and, of course, the ever-reliable Harrison Ford as the cynical-but-swashbuckling hero more than make up for that character’s shortcomings.--Sam Graham

Indiana Jones and the Last Crusade
Not as good as the first one, but better than the second. That’s been the consensus opinion regarding Indiana Jones and the Last Crusade, the final installment in Steven Spielberg and George Lucas’ original adventure trilogy, throughout the nearly two decades since its 1989 theatrical release. It’s a fair assessment. After the relatively dark and disturbing Temple of Doom (1984), The Last Crusade (1989) recalls the sheer fun of Raiders of the Lost Ark (1981). With its variety of colorful locations, multiple chase scenes (the opening sequence on a circus train, with River Phoenix as the young Indy, is one of the best of the series, as is the boat chase through the canals of Venice), and cloak-and-dagger vibe, it’s the closest in tone to a James Bond outing, which director Spielberg has noted was the inspiration for the trilogy in the first place; what’s more, it harkens back to Raiders in its choice of villains (i.e., the Nazis--Indy even comes face to face with Hitler at a rally in Berlin) and its quest for an antiquity of incalculable value and significance (the Holy Grail, the chalice said to have been the receptacle of Christ's blood as he hung on the cross). Add to that the presence of Sean Connery, playing Indy’s father and having a field day opposite Harrison Ford, and you’ve got a most welcome return to form.--Sam Graham

Indiana Jones and the Kingdom of the Crystal Skull
Harrison Ford, Cate Blanchett, Shia LeBeouf. Ford delights once again in a fourth turn as the adventurous, fedora-wearing archaeologist. After a daring escape, Indy's on the run from Russian spies who want him to locate an ancient artifact for use in a supreme military weapon. Nearly 20 years after riding his last Crusade, Harrison Ford makes a welcome return as archaeologist/relic hunter Indiana Jones in Indiana Jones and the Kingdom of the Crystal Skull, an action-packed fourth installment that's, in a nutshell, less memorable than the first three but great nostalgia for fans of the series. Producer George Lucas and screenwriter David Koepp (War of the Worlds) set the film during the cold war, as the Soviets--replacing Nazis as Indy's villains of choice and led by a sword-wielding Cate Blanchett with black bob and sunglasses--are in pursuit of a crystal skull, which has mystical powers related to a city of gold. After escaping from them in a spectacular opening action sequence, Indy is coerced to head to Peru at the behest of a young greaser (Shia LaBeouf) whose friend--and Indy's colleague--Professor Oxley (John Hurt) has been captured for his knowledge of the skull's whereabouts. Whatever secrets the skull holds are tertiary; its reveal is the weakest part of the movie, as the CGI effects that inevitably accompany it feel jarring next to the boulder-rolling world of Indy audiences knew and loved. There's plenty of comedy, delightful stunts--ants play a deadly role here--and the return of Raiders love interest Karen Allen as Marion Ravenwood, once shrill but now softened, giving her ex-love bemused glances and eye-rolls as he huffs his way to save the day. Which brings us to Ford: bullwhip still in hand, he's a little creakier, a lot grayer, but still twice the action hero of anyone in film today." --Ellen A. Kim